Personalities Archive

Torta Tre Monti

Posted April 12, 2011 By Adri


Torta Tre Monti-Box Front


There are good friends and then there are great friends. Anthony and Scott are great friends. A couple of weeks ago I received an email from Anthony. It was brief and to the point: “three words for you torta tre monti ever heard of this” Like I said, brief and to the point. My return email was considerably more verbose. It started with OMG. I knew the cake was all about wafers, known as cialde, and cream filling. I knew it was famous. I knew I had never seen one in any store around here. After that the details were fuzzy. The research began. And the more I learned, the more I knew I had to try one. I also learned I might have to jet to San Marino to do it.

Torta Tre Monti is the famous pastry of The Republic of San Marino, population 31,830. Situated in the hills of central Italy, San Marino, if you are ready for a brief lesson, is the last of Italy’s independent hill towns, the world’s oldest republic, and (this is how Anthony got started with this in the first place) third in the world in life expectancy – 80.3 years for men and 85.9 years for women. Must be the pastry.

As we searched, the days wore on. No Torta Tre Monti in sight. Not even a recipe. We found sources on the internet, but the pastry was always out of stock. We found inquiries from people on the internet looking for recipes, but only inquiries, no answers. Google searches led to the web site for La Serenissima Cake Factory in San Marino, home of the torte. Skillful dolciere make these pastries entirely by hand. First, thin blond wafers are baked on a bank of well seasoned irons. Such irons are rarely seen outside of Italy. We were enticed by gorgeous shots of huge vats of hot cream and fondant. The skill of the women as they fill the pastries and finish them with a crown of fondant left no doubt that we had to have one. We could wait no longer. There was only one thing to do. Anthony called his mother, Rose. Success we knew, must surely be at hand. The woman does not fail. And Rose, upon hearing the pastry lover’s dilemma decided it was time to enlist the considerable resources of her sister Santa. Italian families are like that. One for all and all for one. Don’t think for one second that Dumas came up with that one all by himself. Oh no. He got it from the Italians. Just ask any Italian mom.

The search was on in earnest, and very quickly sweet success was within reach. Enter Petrone’s Pizzelles in Erie, Pennsylvania. Santa drove right over to him in Erie, and there stood the torte in their very unique boxes. Inside – a circular multi-layered wonder composed of five super thin, ultra-crispy wafers filled with thin layers of intensely flavored smooth chocolate, hazelnut and coffee cream. Within a few days a torta arrived on everyone’s doorstep, a group affair start to finish.


Torta Tre MontiThe first thing you notice is the packaging. I had to stop and admire it before I went any further. Shades of blue, gold, yellow and green with medieval knights on horseback holding a standard. People walking along side. They do not make packaging like this in America. And yes, I saved the box. I carefully opened the box and there, wrapped in foil and weighing 9.52 ounces, was the disc of pastry. I gave thanks and then I grabbed my scissors and opened it up. This is one heck of a KitKat Bar. It is assembled so perfectly, so neatly that yes, a level says it is level. The wafers are baked to blond perfection and each of the three cream components is spread in a perfectly uniform layer. I just had to stand and admire the art and skill of the folks at La Serenissima Dolciaria. Now it was time to sample. The first thing I noticed is how easily and perfectly it sliced. No ragged edges, no mess. Perfect. And in the eating, the torta is quite neat. It would be a perfect dessert for a summer night at the Hollywood Bowl or other evening under the stars. With each bite your mouth is filled first with crunch as the wafers give way under your teeth. Then come the smooth chocolate, hazelnut and coffee creams. Each layer is filled with a different cream, so the flavors remain distinct, yet complementary to one another. The chocolate and hazelnut creams come first to the fore, followed by the intense and not too sweet coffee cream. The entire torta is finished with a border of dark chocolate fondant. A joy to behold, and a delight to consume.

When I the package arrived I felt very special. So I simply can not end this post without saying thank you Anthony, Scott, Rose and Santa. You made me feel like part of the family. We all enjoyed this Sanmarinese specialty, and even the hunt was fun.

Since 1942 La Serenissima Antica Fabbrica di Torte has made Torta Tre Monti and other pastry delights. Check out their web site to view their entire line and for more information. Be sure to watch the video. I know you will want one too. Open some Prosecco and celebrate the small principality of San Marino. Several styles of torte and other La Serenissima products are available online from Savarozza.com.


Torta Tre Monti


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I have no affiliation with any product, manufacturer, or site mentioned in this article.

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Italian FlagAmerican Flag

A PROCLAMATION








On March 17, Italy celebrates the 150th anniversary of its unification as a single state. On this day, we join with Italians everywhere to honor the courage, sacrifice, and vision of the patriots who gave birth to the Italian nation. At a time when the United States was fighting for the preservation of our own Union, Giuseppe Garibaldi’s campaign for the unification of Italy inspired many around the world in their own struggles, including the 39th New York Infantry, also known as “The Garibaldi Guard.” Today, the legacy of Garibaldi and all those who unified Italy lives on in the millions of American women and men of Italian descent who strengthen and enrich our Nation.


Italy and the United States are bound by friendship and common dedication to civil liberties, democratic principles, and the universal human rights our countries both respect and uphold. As we mark this important milestone in Italian history, we also honor the joint efforts of Americans and Italians to foster freedom, democracy, and our shared values throughout the world.


NOW, THEREFORE, I, BARACK OBAMA, President of the United States of America, by virtue of the authority vested in me by the Constitution and the laws of the United States, do hereby proclaim March 17, 2011, as a day to celebrate the 150th Anniversary of the Unification of Italy. I encourage all Americans to learn more about the history of Italian unification and to honor the enduring friendship between the people of Italy and the people of the United States.


IN WITNESS WHEREOF, I have hereunto set my hand this sixteenth day of March, in the year of our Lord two thousand eleven, and of the Independence of the United States of America the two hundred and thirty-fifth.

BARACK OBAMA

Map of Italy
Il Risorgimento – Italian unification – today we celebrate its 150th anniversary. The independent governments of Italy threw off the bonds of European rulers and proclaimed themselves one country united, People and God with Victor Emmanuel II as their King. The blood of many partiots paved the way to unification. Camillo di Cavour, Giuseppe Mazzini and La Giovine Italia, Giuseppe Garibaldi and I Mille, and Camicie Rosse, the Carbonari and so many more brave souls fought from Sicily to Reggio Calabria and north to unite the country we now call Italy. I salute you, brave soldiers all.


Aperol and Prosecco
Blood OrangesThink Aperol. Think bright orange. OK, so I am going father than orange on the color scale, but this is blood orange season, and I am not done yet. I Fratelli Barbieri introduced their creation at the 1919 International Fair of Padova, and Italians took to it right away. Aperol is made of sweet and bitter oranges, herbs and other ingredients. In short. SECRET. That’s alright with me. As long as I can get my hands on this 11% alcohol wonder, I am happy.






Camicia RossaIn honor of the 150th Anniversary of the Unification of Italy and Giuseppe Garibaldi and his Red Shirts, volunteers one and all, I give you La Camicia Rossa, a combination of Aperol, Prosecco, blood orange juice and simple syrup.








Camicia Rossa

Camicia Rossa

2 cups Prosecco
1 cup blood orange juice
1/4 cup Aperol
1-2 tablespoons simple syrup, to taste*


Combine all ingredients and serve over cracked ice.


*To make simple syrup, combine ½ cup sugar and 1 cup water in small saucepan. Bring to boil over medium heat to dissolve sugar. Remove from heat and cool.


Bevi responsabilmente!


Torta d'Arancia - Blood Orange Cake

Torta d’Arancia Rossa

Blood Orange Cake

4 large eggs, separated
½ pound (2 sticks) unsalted butter, softened plus butter to grease pan
2 cups vanilla sugar
zest of 2 blood oranges
2 ½ cups cake flour plus flour for pan
pinch kosher salt
2 teaspoons baking powder
1 packet Vanillina* OR ½ teasoon vanilla extract
1 cup blood orange juice, seeds removed


Preheat oven to 350 degrees. Grease a 9 inch springform pan. Line with parchment. Grease parchment and flour pan, tapping out excess.


In a medium bowl combine flour, baking powder, salt and Vanillina. Set aside.


Fit standing mixer with whisk and beat egg whites until stiff. Set aside.


Change from whisk to paddle attachment and beat butter, zest and sugar together until very light and fluffy, occasionally scraping sides. Add egg yolks one at a time, incorporating thoroughly after each addition. Scrape sides of bowl.


Add flour mixture to butter mixture in 3 additions, alternating with orange juice. Scrape sides of bowl.
Fold beaten egg whites into batter. Pour batter into springform pan. Smooth top.


Bake 1 hour and 20 – 30 minutes, until done.


Place cake on rack to cool 20 minutes. Carefully release sides. Remove and discard parchment. You may serve cake as is or remove top crust, invert cake and serve. Cool completely. Dust top of cake with powdered sugar. Serve with a dollop of Blood Orange Mascarpone Cream.


* Vanillina is a powdered vanilla product from Italy. For another way to use it see my post on Ferratelle.


Torta d'Arancia - Blood Orange Cake

Blood Orange Mascarpone Cream



4 oz. mascarpone cheese, room temperature
3/4 cup whipping cream
1 tablespoon superfine sugar
2 tablespoons blood orange juice, seeds removed
zest of 2 blood oranges
½ teaspoon vanilla extract
Combine mascarpone, whipping cream and sugar in medium bowl. Beat until very soft peaks form. Do not overbeat or mixture will separate. Fold in remaining ingredients. Refrigerate until ready to serve.


Torta d'Arancia Rossa - Blood Orange Cake


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Eataly – and new friends

Posted October 1, 2010 By Adri

Eataly © Peter Battaglia



Maria Filice of Food & Fate wrote “What I love also about blogging is meeting other bloggers as we share and break bread…” I could not agree more. Pete Battaglia of A Food Obsession shot this fantastic photograph of the facade of Eataly in New York. As soon as I saw it featured on Lidia Bastianich’s Facebook Wall I knew I had to have it. Pete was generous enough to let me share it with you, my readers. That’s the kind of generosity Maria was talking about, blogger behavior at its best. The shot’s gentle sepia tone evokes the mood of Mulberry Street and Little Italy, a New York long past. Be sure to check out Pete’s blog. It is a paradise for Italolphiles. Thanks, Pete!

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Breaking Bread in L’Aquila

Posted September 29, 2010 By Adri



Breaking Bread in L'Aquila



Before dawn on the morning of April 6, 2009 the town of L’Aquila in Italy’s Abruzzo region was struck by a violent 6.3 magnitude earthquake, terremoto in Italian. Townspeople awoke in terror as the walls of their homes, businesses, government buildings and churches collapsed around them. The air was cold, but the people of L’Aquila ran outside to safety in whatever they had on to escape falling debris. When the sun shone on the town, the devastation was virtually complete. Rubble was everywhere. The dead were lined up in rows, and rescuers from the Abruzzo Civil Authority and Ministry of the Interior, along with the town’s inhabitants, worked feverishly to save those trapped and to remove the dead from the rubble. 308 people died that day. As of June 2010 Italian government statistics tell us that 48,810 people who lived in L’Aquila and surrounding villages are as yet unable to return home. The reconstruction effort continues.


Maria Filice, author and food stylist has written Breaking Bread in L’Aquila, a collection of 49 recipes from the Abruzzo region. Ms. Filice, whose family hails from the region of Calabria has a deep and abiding love for the Abruzzo region and L’Aquila in particular; her late husband Paul Piccone was born in that beautiful city, and the two traveled often to the region.


Ms. Filice has produced a wonderful volume. Its recipes are divided into days of the week with a complete menu presented for each day. Mix and match as you will. I certainly do. The author has generously included sections on how best to use her book, her entertaining philosophy and a primer on Abruzzese wines along with pantry essentials and a most welcome measurement conversion chart. The photography and food styling are ravishing, and the reader is given a warm and enticing introduction to this majestic region, land of shepherds and the sea. My grandfather, Gaetano Crocetti was born in Abruzzo in 1894, so this book holds pride of place on my shelf.


The net proceeds from the sale of this book will be donated to the L’Aquila earthquake restoration efforts. With Christmas around the corner I cannot think of a better gift for the cook or Italophile in your life. It would be a gift for two, whomsoever receives the book and the people of L’Aquila.


I am pleased to share with you, reprinted here courtesy of Telos Press, Paul Piccone’s recipe for polpettine, little meatballs. I have also included Maria’s charming introduction. She serves these with her Tomato Sauce and an Abruzzese specialty, pasta alla chitarra. The polpettine are delectable and simple to make. Enjoy, and please support L’Aquila earthquake relief by purchasing a copy of Maria’s book.


Click here to purchase the book at Food & Fate

Check out Maria’s blog here.

Take a look at the Breaking Bread in L’Aquila Facebook page here.

Follow Maria on Twitter @FoodandFate


Pasta alla Chitarra con Polpettine di Paolo

(Pasta alla Chitarra with Paul’s Meatballs)


Paul’s meatballs were famous-not only for their flavor, but also for their size: he liked them small! Though, he was a fabulous cook, once he let me in the kitchen (and taught me how to make his favorites), he didn’t come back in. As queen of the kitchen, I began making his favorites, like this one. We would sometimes serve these meatballs on top of pasta alla chitarra, Abruzzo’s famous pasta. This is made with a pasta guitar (it looks like a harp) to produce squarish-shaped spaghetti. You can also use spaghetti or your favorite pasta. Growing up, my mother would serve it with our favorite rigatoni or penne pasta.


serves 6

3 cups of tomato sauce (see page 44 in the book)

1 pound ground pork

1 pound ground beef

2 eggs

1 ½ cup freshly grated Parmigiano cheese

1 tablespoon fresh Italian flat leaf parsley, chopped

1 cup bread crumbs (unseasoned)

1 clove garlic, minced

½ teaspoon fresh ground black pepper

2 teaspoons salt

1 pound of pasta alla chitarra (fresh)

3 tablespoons extra virgin olive oil


In a large bowl, combine the pork, beef, eggs, bread crumbs and 1 cup of the cheese. Add the parsley, garlic, salt and pepper and combine well. Using your hands, form quarter-sized meatballs and place them on a tray. (If the mixture is too stick, rinse your hands under cold water and leave them slightly damp.)


Heat the oil in a frying pan over medium heat. Fry the meatballs in batches, turning them frequently, until they form a nice brown crispy layer on the outside and are cooked through (approximately 10 to 12 minutes). Drain them on paper towels.


Heat the tomato sauce in a medium-sized pot over medium heat. Add the meatballs and cook on low heat for 30 minutes.


Using a large pot, cook the pasta according to the package instructions until it is al dente. Drain the pasta and return it to the pot. Add the sauce with meatballs and toss well. Top with remaining Parmigiano and serve.


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Jeff's handwritten transcription of Angelo Barra Crocetti's Ravioli recipe. All Rights Reserved © AdriBarrCrocetti.com



That is the Crocetti Family Ravioli recipe in its entirety as my grandmother, Angela Barra Crocetti, (known as Mom) dictated it to my mother, Josephine. My mother, known to all who loved her as Jeff, transcribed the recipe in the endsheet of her 1962 edition of the American classic, Joy of Cooking. There are no other directions. This recipe assumes a level of proficiency that any good Italian girl would have achieved by the age of fourteen. One of my fondest memories of Mom was sitting at the kitchen table in her home on Inglewood Boulevard in Los Angeles with the sunlight streaming in over my left shoulder. I remember it as though it were yesterday. Mom placed her spianatoia (wooden pastry board) on her kitchen table. She scooped a mountain of flour onto her board, dug a well in the center and into that well she cracked the eggs. In went the salt. Now it was time for the milk. Yes, the milk. I know. Well, back then I didn’t. Most pasta recipes, if they call for any liquid other than eggs will call for olive oil or water. But some Italian cooks often use milk for their filled pastas. And she measured that milk in the most charming fashion, in the half shell of a cracked egg. No need for a measuring cup. This was Italian home cooking from the ground up. She made but one concession to the modern age, but more on that later. She took her fork and began to beat the eggs, salt and milk in her well. As she agitated the ingredients she brought in the flour, bit by bit, incorporating it until she had a shaggy mass. Down went the fork, up went her sleeves, and she began to knead the big mass of dough. After about ten minutes she was satisfied with her supple dough. I was amazed. She covered it with a kitchen towel and we went into her sewing room.


After about half an hour we returned to the kitchen to form the ravioli. Mom cut the dough not with a fancy rolling cutter, but with a kitchen knife. She covered what she was not going to use right away, picked up her extra long matterello (rolling pin) and began to work her brand of wizardry on the dough. Back and forth she moved her matterello, coaxing the dough to an ever greater size and greater degree of thinness. To my child’s eye it looked like magic. She rolled over the dough and out to the edge farthest from her, then rolled that far edge of dough over her matterello pulling it back to her, rolling and gathering the dough around it as she worked, sliding her floured hands across the dough-covered tool, stretching it with her hands, then rolling it out to the far edge again. She gave the dough a quarter turn and repeated the process. Over and over. The dough she rolled was gorgeous, so thin I could see the shadow of her hand behind it as she lifted and turned it. Alchemy. And the sound of the dough on the board, sort of a “shh-shh.” Her pasta dough was light, yet strong enough to form into ravioli that kept its integrity when boiled. And that is where I came in. I was responsible for crimping the edges of the chicken and cheese packets she assembled. I used a fork to crimp the edges all the way around, the perfect job for a little girl, the initiation to the women’s kitchen. I remember being so proud when we were finished. It made eating the treasures all the more enjoyable. Remembering those days in her kitchen and looking at the recipe now I am astonished by the economy of tools, not to mention verbiage. No fancy rolling cutter, no Atlas machine, no KitchenAid pasta roller, no measuring cups. In fact, I doubt if she used a teaspoon to measure the salt.


When I was in my twenties I became an altogether obsessive cook, I wanted detail. I needed to know absolutely everything. Ah, if only I had been born into the era of recipes accompanied by step-by step photography. But no, I was taught by cooks who said things like “When it is the right consistency, pour the batter into a pan. Bake in a fast oven until done.” WHAT!! Good grief! What was I supposed to do? Obsessive young woman that I was I wanted particulars. For many years I was utterly constrained by obsessiveness. Ask my friends. They’ll tell you. If a recipe called for 1 1/4 teaspoons of vanilla extract and I had only 1 teaspoon, I did not make the dish. Period. Time has passed, and I now embrace improvisation. I enjoy being one of those cooks who can play in the kitchen and make do with what she has. My Italian forebears made do because they had to. Making do with what one has in one’s pantry is the hallmark of la cucina casareccia (home cooking), la cucina povera (the cooking of the poor.) I am writing this post to tell all of you not to wait until you are my age to feel free in the kitchen. Try new things. Look at the recipes you see here and elsewhere and make them your own. Build on your fundamentals toward a cuisine all your own. And take notes! Let me know what you have tried. I would love to hear from you.


Coming up… Part Two – Making the Ravioli



Angela Barra Crocetti's ravioli All Rights Reserved © AdriBarrCrocetti.com

Angela Barra Crocetti's ravioli as made by Adri Barr Crocetti

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Crostoli

Posted September 19, 2010 By Adri



A plate of finished crostoli All Rights Reserved © AdriBarrCrocetti.com



Dino Martin Crocetti and William Crocetti. All Rights Reserved © AdriBarrCrocetti.com

Dino and William - The Crocetti Brothers

“Mamma, Che buona!” My father William Anthony Crocetti, born Guglielmo, did not speak English until he went to grade school. So I have no doubt that was what he exclaimed every time he ate the crostoli his mother made in her kitchen at 319 South Sixth Street in their south end neighborhood of Steubenville, Ohio. I wasn’t there, but those were his words. Senza dubito. And I bet Dino echoed his big brother.






Italians have been making these treats for hundreds of years. A recipe even appears in Pellegrino Artusi’s seminal cookbook, L’Arte di Mangiar Bene (The Art of Eating Well), first published in 1891. Although these delightful pastry knots are the prototypical Carnevale indulgence, they are also served at Christmas, New Year’s and Easter. This type of dolci is called nastri delle suore (nun’s ribbons), but that would never do for Italy, a country whose inhabitants identify themselves by regional ties first and as Italians second. Twenty regions – more than twenty names. These treats are called galani or frittelle alla Venezia in Venice and the Veneto, crostoli in Friuli, cenci (rags and tatters) or donzelli (young ladies) in Tuscany, frappe in Umbria, sfrappole or lattughe (lettuces) in Emilia-Romagna, chiacchiere (gossips) in Lombardy, chiacchiere di suore (nun’s gossips) in Parma, bugie (lies) in Piemonte and gigi in Sicily. Da vero. Call them what you will, they are fried dough, and I love fried dough. Like my father, I grew up eating these deep fried delights.

Where I grew up. All Rights Reserved ©Toni Crocetti

...

Spring-o-lators

...










We called my grandmother Mom, and no typical nonna was she. When she arrived at our home I could always tell if she had a treat for us; instead of exiting her car and making her way directly up our driveway she went first to her passenger door, opened it and removed a long flat box. Then up our driveway she walked, box in hand, the clack-clack-clack of her Spring-o-lator shoes announcing her approach. We never knew what she had in that box, but we always knew it would be good. We four kids, my brothers Guy and Marc and my sister Toni and I, loved the cookies and we gobbled them up. My mother could always tell who had done most of the gobbling – the powdered sugar on the guilty party’s hands, face and chest was a dead giveaway. In fact that is how these cookies got their Piemontese name, bugie – liar’s cookies – as in “No Mamma. It wasn’t me, no mamma. I don’t know who ate the cookies…” Another of this cookie’s colorful names is chiacchiere or gossips. Some say the name came from the ladies of Lombard and the nuns of Parma who ate them as they gossiped. Still another source tells us the name originated with the sound the knots make when dropped in the cooking oil – “Pssst !” – just like the town gossip as she summons her listeners. Great stories all, which ever is true.


This cookie has a variation for every nonna. Some call for grappa, others get their alcohol kick from Gran Marnier, vin santo, white wine or rum while a few eschew spirits altogether. In Tuscany they are often made with olive oil in place of butter, and some regions use lard or shortening. Some use orange in place of lemon or no citrus at all. For the finishing touch, some cooks use confectioner’s sugar while others choose cinnamon sugar. As to the shape, some are plain ribbons, some are formed into pretzel-like shapes while others are twisted and pinched in the middle. You will also find flat squares or rectangles, some with one or two slits along the middle. This is the tradition of Italy’s beloved nonne at work, the tradition of variation on a theme that makes this cuisine so inviting, so forgiving, and so much fun.


Flour in Italy is classified by how finely it is milled, either 1, 0 or 00. Doppio zero is the most finely milled and feels like talcum powder. Do not confuse how finely ground the flour is with its protein content. Any strength flour can be ground into doppio zero. Just as we have pastry flour, all-purpose flour and bread flour with their varying protein contents, so do the Italians. They just have the added luxury of varying degrees of milling. To see the full range of flours available to the Italian cook go to the Molino Caputo website. I use a doppio zero flour that is comparable in protein content to our American all-purpose flour. Doppio zero flour is available at Italian markets and Amazon. com. If you can not find it, regular all-purpose flour will do nicely. Use the same amount the recipe calls for.


Mom made her dough by hand in the traditional manner – mounding her flour on a wooden board, making a “well” in the center, filling it with the ingredients and incorporating them with a fork. In a concession to the age of the mechanized kitchen I use my KitchenAid.


This dough is a dream to work with. Do not be intimidated by the idea of rolling it very thinly. You will be able to do so with great ease. Honest. On the subject of frying oil – Mom used solid Crisco, and there is no reason to change that. But if you have something else on hand, peanut oil, vegetable oil, feel free to make use of what is in your pantry. Mom drained the cookies on brown grocery bags. Some cooks use paper towels. I have found that placing the fried cookies directly on a cooling rack suspended over a sheet pan works very well.


A note about these cookies: they fry up very quickly, so be sure to have everything you need close at the ready. Banish the kids and pets from the kitchen. You will be working with a large volume of very hot oil.


And finally, do not overcook the crostoli. If you do you will not taste the grappa!

As the Italians say “Divertiti!” Have fun!


Ingredients for crostoli

Here is what you need. Don't be daunted. Just follow step by step. They will come out perfectly!



Weighing flour

Weigh your flour for the most accurate measurement.



Flour in mixer bowl

Put flour in mixer bowl.



Add the sugar

Add sugar.



Add salt

Add salt.



Add lemon zest

Add lemon zest. I use a microplaner grater. It works beautifully.


Dry ingredients

Your dry ingredients are ready to go.



Turn on the mixer

Turn on the mixer briefly to combine.



Add butter

Add butter.



Lightly beat egg

Lightly beat egg.



Add egg

Add egg and combine.



Add vanilla

Add vanilla.



Add grappa

Add grappa and combine.



Add milk

Add milk and combine until dough comes together.



Check out dough

Stop mixer. Pinch off a piece of dough. It should be slightly moist, not sticky, a cohesive mass.



Remove dough

Remove dough from mixer.



Knead a few times

Knead a few times.



Shape dough

Shape into a disk and wrap in plastic.



Roll the dough

You are now ready to roll the dough.



Cut dough in half

Cut dough in half and keep the half you are not using covered.



Flour your board

Flour your board and get to it with your rolling pin.



Lift and turn your dough

Lift and turn your dough to prevent sticking.



Roll dough out to 1/16th inch

Roll dough out to 1/16th inch. Yes, you can!



Trim edges of dough

Trim edges of dough and measure to cut ribbons 6 inches long and 1 inch wide.



Use a rotella (ravioli cutter)

Use a rotella (ravioli cutter) to cut ribbons.




Forming knots

-1-

Forming knots

-2-











Forming knots

-3-

Forming knots

-4-











Forming knots

-5-

Forming knots

Finished!











Form knots and place on a floured tea towel.




Heat oil to 350

Heat oil to 350 degrees in a heavy deep-sided pan.



Drop knots in oil and fry

Drop knots in oil and fry a few at a time.



Fry until golden

Fry until golden. They will puff up enticingly.



Remove to a rack to drain

Remove to a rack to drain.



Ready to sugar

To keep things neat, place your tray and rack on a large piece of parchment. Have ready a bowl of confectioner's sugar and a small strainer.



Dust with powdered sugar

While still warm dust with powdered sugar.



Mom would be proud

Lovely. Mom would be proud. Maybe she'd even say, "Brava, piccina!"



Crostoli


makes about 3 ½ dozen


200 grams 00 flour (This should measure 1 ½ cups when lightly spooned into measuring cups, then leveled with a flat edge.)

1 tablespoon granulated sugar

zest of 1 lemon

generous pinch salt

1 large egg, lightly beaten

1 tablespoon unsalted butter, at room temperature

1 tablespoon grappa

1 teaspoon vanilla extract

3 to 4 tablespoons whole milk

shortening or oil for frying

confectioner’s sugar


In a mixer bowl fitted with paddle attachment, combine the flour, sugar, lemon zest and salt. With mixer running add egg, butter, grappa and vanilla. Gradually add 3 ½ tablespoons of milk to form a soft malleable dough. Remove dough from bowl, pat into a disk. Wrap in plastic, and set aside to rest for 1 hour.

Line a sheet pan or tray with a tea towel. Lightly dust the towel with flour. Set aside. Divide dough in 2 pieces, keeping the one you are not using wrapped in plastic or covered with a towel. On a lightly floured board, roll out dough as thinly as you can, about 1/16-inch thickness; dough should be almost translucent. Using a ravioli cutter cut dough to form ribbons 6 inches long and 1 inch wide. Tie a knot in the center of each ribbon, and place on the towel-lined pan in a single layer. Keep the knots covered as you work.

Meanwhile heat a generous amount of oil to 350 degrees in a heavy deep-sided pan. A candy thermometer placed on the side of your pan assures correct cooking temperature. Have ready a rack placed over a sheet pan. Fry the knots, a few at a time, until they color, about 20 to 30 seconds. Remove with a slotted spoon, spider or metal tongs, and place on rack to drain. Sprinkle liberally with confectioner’s sugar. Crostoli are best eaten the day they are made.



Solo Crostoli All Rights Reserved © AdriBarrCrocetti.com


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